
LP 24, 2023, oil, watercolour, charcoal, pencil, wax crayon, oil stick and marker pen on lp record cover

Pisspots and Paintings, 2018, watercolour on papier mache, galvanised steel shelf


Extract from Volume, 2017-2023, oil, watercolour, pencil, crayon on paper

LP 4, 2023, oil, watercolour charcoal, pencil, wax crayon, oil stick and marker pen on lp record cover

10,162 (Orlestone), 2016, oil and watercolour on canvas, reproductions of Martin Visser's 1961 BZ Slat Bench made from Orlestone Forest Scots Pine, 1947 Men of the Trees Diary and Forestry notebook with facsimile. Jerwood Space, London
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Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper
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Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper

Paintings and/or Things, 2014, found text in stained ply frame, wire debris with marble, oil on canvas



Pisspots and Paintings, 2018, oil on board




Pisspots and Paintings, 2018, gouache on book plates
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Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper

Untitled (Paintings and/or Things XIV), 2014, debris from the River Thames, nitrous oxide canisters, ply

Untitled I (Orlestone), 2016, oil and watercolour on canvas, reproductions of Martin Visser's 1961 BZ Slat Bench made from Orlestone Forest Scots Pine. Jerwood Space, London.

LP Painting 18, 2023, oil, watercolour charcoal, pencil, wax crayon, oil stick and marker pen on lp record cover


There's always a chance we could live forever, 2015, oil on canvas & oil on bookplates
On Edge, 2015, oil on canvas, 55 x 40 cm


Infinite Configuration 28, 2015, found timber and photograph
Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper

A paradoxically energized calm combined with a buoyantly fresh view of the world that is anchored in history, 2015, oil on canvas, 160 x 120cm
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Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper
Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper

Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper


Untitled (Orlestone Benches), 2016, reproductions of Martin Visser's 1961 BZ Slat Bench made with Scots Pine from Orlestone Forest, Kent

Untitled (Paintings and/or Things X), 2014, acrylic on found lino tiles

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Extract from series Volume, 2017-2023, oil, watercolour, pencil, crayon on paper

There's always a chance we could live forever, 2015, oil on canvas, oil on bookplates

Making a Scene, 2015, oil on linen, 40 x 30 cm

Untitled (Brancusi), 2015, oil on bookplates, 40 x 46.5 cm

When all you have to hide behind is glass, 2015, oil on canvas, 100 x 70 cm

Study for a bigger and better painting, 2015, oil on canvas, 25 x 25 cm

Infinite Configuration 33, 2015, found timber and photograph with spider plant

So Modern, 2013, extended performance of Joy Division's She's Lost Control by Pedrag Delibasich

Untitled (Painting and/or Things V), 2014, oil on canvas, 170 x 140 cm


Untitled (Paintings and/or Things II) 2014, oil on canvas, found chair
Untitled (Paintings and/or Things III), 2014, ink and oil on canvas, found microphone stand


Untitled (Paintings and/or ThingsVI), 2014, oil on canvas, 120 x 100 cm
Supernatural, 2016, pigment print, 100 x 80 cm

Dark Matter (detail), 2012, c type print, found objects and collage
Royal Society of Sculptors, London

Untitled (Proust), 2013, oil on canvas & inkjet prints

Untitled (Manet), 2015, oil on paper, 40 x 31.5cm